Context doesn’t connote art: context connotes how art is used at a certain time only”. The transition from the Classical to the Hellenistic period occurred during the 4th century. CAIN, AUGUSTE-NICOL AS, sculptor, 149, 150 Campagna of Rome, 145 Campanile in Venice, 107 Campo Santo of Pisa, 90 Caniez, sculptor, 151, 152 Canova, sculptor, 134 Cardinal Mazarin, tomb of, by Coysevox, 124 [228] Concavo-convex relief, Coelanaglyphic Conde, Prince of, bust by Coysevox, 125, 152 Conde, Prince of, bust at Chantilly, 152 Conde\ Prince of, statue by Caniez, 151-153 Constantino, arch of, 73 Convention in sculpture, see also Nature and the Ideal, 24, 25, 26, 27, 32, 175 Convention in sculpture (in connection with the horse), 80-82 Copies, ancient, of Greek orig- inals, 19, 20, 21 Coustou, Nicolas, sculptor, 125 Index Coustou, William (Guil- laume), sculptor, 125 Coustou, the youngest sculp- tor, 127 Coysevox, sculptor, 123, 124, 125, 151 Crauk, sculptor (of Coligni monument), 153 Crawford, sculptor, 155 DALOU, JULES, sculptor, 180 Daniel the Prophet, statue by Bernini, 121 Dans la Rue, group by Camille LefeVre, 164 David, statue by Michelangelo, 98 David d' Angers, sculptor, 131, 134 Dawn, statue by Michelangelo, 101 Day, statue by Michelangelo, 101, 102 Death, personified, Saxe mon- ument, 129 Death and the sculptor, see Milmore Monument Decadence, Art of the, see De- cline Decadent art, see Decline Decline, art of the, 47, 104, 111-121 Delacroix, Eugene, as critical writer, 14 "Demosthenes," so-called of the Vatican, 20 Departure for war (" La Mar- seillaise"), relief by Rude, 155 Desjardins, Martin, sculptor, 125 Despair (Le Desespoir), statue by Perraud, 128 Diadumenos (fillet-binder), statue so-called, 20 Diana, statue by Houdon, 131 Dionysos. seated, from Athens, statue in British Museum, 38 Discobolos, standing, of the Vatican, 17 Disk -thrower (Discobolos) (Myron), 19, 20 Doge's palace in Venice, 108 Donatello, sculptor, 92, 93, 95, 110 Dore\ Gustave, painter, etc., sculpture by, 166 Doryphoros (spear bearer), statue so-called, 20, 141 Drapery, Greek, 25, 26, 36, 37,49 Drapery, Roman, 49, 58, 61 Dress conventionalized (see also Drapery), 53, 58, 76, 163 Dress, fashion of, in historical sculpture, 53, 61, 156, 157, 167, 168, 180, 181 Dress, fashion of, in Portrait- ure, 59, 60 Dress, ideal military, 171 Driller, The, statue by Nie- haus, 141, 142 Dubois, Paul, sculptor, 170, 206 Dumas, Alexandre, monument to, 166 Duret, sculptor, 134 EDFOO, temple of, 69, 70 Eighteenth century, sculptors of, 127 Eighteenth century in sculp- ture, 127 Egypt, early sculpture of, 66, 67 Elders of the Apocalypse, at Chartres, 76 " Epictetus," statue so-called, 57 Epidauros, fragments from, 16 Erectheion, caryatides of, 17 "Euripides," so-called of the Villa Albani, 20 Eve entering on Life, statue by Paul Dubois, 206 FALCONET, sculptor, 127 Faith (La Foi), statue by Paul Dubois, 172 [229] Index Farnese Hercules, statue, 136 Farragut monument, 196, 206 Farragut monument, reliefs on base, 196 Fenway at Boston, monument in, 182 Ferdinand, Duke, equestrian statue of, 118 Fiesole, Cathedral at, sculp- tures in, 95 Flamboyant gothic sculpture, 83-86 Flemish influence in France and elsewhere, 84 Fountain in Boboli Garden, by G. da Bologna, 118 Four Quarters of the World, The, group by Carpeaux, 157, 179 Francis I, King of France, 111 Frederick the Great, purchased Pigalle's Mercury, 128 Frederick the Great, preferred modern costume, 155 Freedman, statuette by J.

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